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HOME
2017
installation view, "Lettura di un'onda"
Museo Riso, Palermo, Italy

2017
installation view, "Lettura di un'onda"
Museo Riso, Palermo, Italy

2017
installation view, "Lettura di un'onda"
Museo Riso, Palermo, Italy

2015
installation view, Pastificio Cerere, Rome, Italy

2014
installation view, BOZAR, Bruxelles, Belgium

2014
installation view, BOZAR, Bruxelles, Belgium

2014
Installation view, "Intenzione manifesta. Drawing in all its forms", Castello di Rivoli Museo d’Arte Contemporanea, Rivoli-Turin

Sub
2014
Installazione. Vetro, ferro, generatore Kelvin (acqua, plastica, conduttori, lavandino)
360 x 465 x 520 cm
installation view, "ILIOKATAKINIOMUMASTILOPSARODIMAKOPIOTITA", HangarBicocca, Milano

Sub (dettaglio)
2014
Installazione. Vetro, ferro, generatore Kelvin (acqua, plastica, conduttori, lavandino)
360 x 465 x 520 cm
installation view, "ILIOKATAKINIOMUMASTILOPSARODIMAKOPIOTITA", HangarBicocca, Milano


432Hz
2009-2014
Installazione. Legno, cera d'api, miele, impianto elettrico, audio
330 x 475 x 575 cm
installation view, "ILIOKATAKINIOMUMASTILOPSARODIMAKOPIOTITA", HangarBicocca, Milano

2014
installation view,"The yellow side of sociality", Bozar, Bruxelles

2014
installation view,"The yellow side of sociality", Bozar, Bruxelles

Maybe Tomorrow
2013
installation view, "New Works: 13.3", Artpace, San Antonio

Maybe Tomorrow (dettaglio)
2013
installation view, "New Works: 13.3", Artpace, San Antonio

2010
installation view, "Fomuska", MUSEION, Bolzano

Krasnaja oktjabra
2009
xerox, inchiostro e matita su muro
200 cm diametro
installation view, "Fomuska", Secession, Vienna

Fomuska
2009
alluminio, vaporizzatore, tanica, generatore di alta tensione
250 x 720 x 200 cm
installation view, "Fomuska", Secession, Vienna

Krasnaja oktjabra
2009
xerox, inchiostro e matita su muro
400 cm diametro
installation view, "Fomuska", Secession, Vienna

Senza titolo (porta)
2008
magnete, ferro
242 x 91,8 cm
installation view "partoftheprocess3", ZERO..., Milano

Altrove / Elsewhere
2008
centralina elettrica, pvc, tubi di rame, acqua, ghiaccio, scintille, impianto audio
447 x 480 x 280 cm
installation view, Foksal Gallery Foundation, Varsavia

Senza titolo
2007
faro, luce a intermittenza 2000 watt
154 x 180 x 185 cm
installation view, "Luce di pietra", Palazzo Farnese, Roma

Chizhevsky Lessons
2007
piastre di rame, cavi d’acciaio, “generatore a cascata”, trasformatore, voltometro
dimensioni variabili
installation view, "Chizhevsky Lessons", Kunsthalle Basel

Elektron
2007
magneti, ferro
336 x 418 x 2,5 cm
installation view, "Chizhevsky Lessons", Kunsthalle Basel

Mindfall 2007
2007
cabina con vetri appannati, motori elettrici, cavi elettrici, fumo, tavoli, sedia
555 x 250 x 250 cm
installation view, Johann König gallery, Berlin

Free Fall in the Vortex of Time
2006
piedistallo di rame, libro di disegni
120 x 40 x 40 cm

Eldfell
2006
rame
25 x 100 x 130 cm

Untitled
2003
aria, ferro, fili elettrici, vetro, scintille
500 x 500 x 258 cm
installation view, "Sogni e Conflitti: La Dittatura dello Spettatore", 50ma Biennale di Venezia

Vorkuta
2003
cella frigorifera (-35° C/-31°F), impianto di refrigerazione, scintille, sedia con resistenza elettrica (36° C/96,8° F),
termostato, 210 x 220 x 350 cm
installation view, "Cheasing Napoleon", Palais de Tokyo, Parigi

Inner Disorder
1999\2001
vetrine, inchiostro e grafite su carta
dimensioni variabili
installation view, "Fomuska", Kunsthalle Fridericianum, Kassel

Senza titolo
1999
matita su libro, piedistallo di ceramica
20 x 15 x 0,8 cm, 121 x 50 x 50 cm
installation view, "Fomuska", MUSEION, Bolzano

born in Rome in 1979

lives and works in Greece

 

 

solo shows

 

2015

Eddy Current, ZERO..., Milan, 2016

 

2014

Asymmetry of Probabilità, Andrew Kreps Gallery, New York City, NY 

ILIOKATAKINIOMUMASTILOPSARODIMAKOPIOTITA, HangarBicocca, Milan, Italy

 

2010

Fomuska, curated by Letizia Ragaglia, MUSEION, Bolzano, Italy

 

2009

Fomuska, curated by Annette Sudbeck, Secession, Vienna, Austria

Inner Disorder, ZERO…, Milan, Italy

Inner Disorder, Johann König, Berlin, Germany

Fomuska, curated by Rein Wolfs, Kunsthalle Fridericianum, Kassel, Germany  

Foksal Gallery Foundation, Warsaw, Poland

GAKONA, curated by Marc Olivier Wahler, Palais de Tokyo, Paris, France

 

2008

Inaudito, curated by Daniela Cascella, GNAM, Galleria Nazionale d’Arte Moderna, Rome, Italy

(in collaboration with Mika Vainio)

Edicola Notte, Rome, Italy

 

2007

Johann König, Berlin, Germany (in collaboration with Mika Vainio)

Chizhevsky Lessons, curated by Adam Szymczyk, Kunsthalle Basel, Basel, Switzerland

 

2005

Free Fall in the Vortex of Time, ZERO…, Milan, Italy

 

2004

D-segni, curated by Ilaria Bonacossa, Fondazione Sandretto Re Rebaudengo, Turin, Italy

Sleeplessness, Galleria Bonomo, Bari, Italy

 

2002

La Folie de la Villa Medicis, curated by Chiara Parisi, Villa Medici, Accademia di Francia, Rome, Italy

 

2001

Galleria Studio 34, Salerno, Italy

 

group shows

 

2015

We Fragment, Collect and Narrate, Leopold Hoesch Museum, Düren, Germany 

 

2014

Intenzione manifesta. Il disegno in tutte le sue forme, Castello di Rivoli, Rivoli (Turin), Italy

Premio Italia Arte Contemporanea, MAXXI, Rome, Italy

The Yellow Side Of Sociality, BOZAR, Palais des Beaux-Arts / Paleis voor Schone Kunsten, Brussels, Belgium

Sculpture Unchaperoned - contemporary international positions selected by artist Michael Kienzer , Galerie Elisabeth & Klaus Thoman, Vienna, Austria

Imitatio Christie´s - (partoftheprocess6), Zero, Milan, Italy

video screening 25, Zero, Milan, Italy

 

2013

New Works: 13.3, international artist-in-residence, artpace, San Antonio, Texas, USA

New works #1, SPROVIERI, London, UK

Dread, De Hallen Haarlem, Netherlands

Future Generation Art Prize 2013, Palazzo Contarini Polignac, Venice, Italy

Of Love, Pain, and Passioned Revolt (Then Farewell, My Beloved, ‘til It’s Freedom Day), Invited by Alice Conconi and Antonio Scoccimarro, ZERO…, Milan, Italy

 

2012

Future Generation Art Prize 2012, Pinchuk Art Centre, Kiev, Ukraine

 

2011

Space Ship Earth, curated by Dobrila Denegri, CoCA - Centre of Contemporary Art Torun, Torun, Poland

 

2010

Press Art - Sammlung Annette und Peter Nobel, Museum der Moderne - MdM Rupertinum, Salzburg, Austria

Director’s Choice, Arken Museum for Moderne Kunst, Ishøj, Denmark

Mutinity seemed a probability, curated by Adrienne Drake, Fondazione Giuliani, Rome, Italy

21x21, curated by Francesco Bonami, Fondazione Sandretto Re Rebaudengo, Turin, Italy

Star City, The Future Under Communism, Nottingham Contemporary, Nottingham, UK

 

2009

Aspects of collecting, Essl Museum, Vienna, Austria

Barock - Arte. Scienza. Fede e Tecnologia nell'Età Contemporanea, curated by Mario Codognato, MADRE, Museo d’Arte Contemporanea Donna Regina, Naples, Italy

Italics. Arte italiana fra tradizione e rivoluzione, 1968-2008, curated by Franceso Bonami, Museum of Contemporary Art, Chicago, USA

Chasing Napoleon, curated by Marc Olivier Wahler,Palais de Tokyo, Paris, France

1989 – 2009. Overview, Celebration, Critique, Galleria Civica, Trento, Italy

Mirrors, curated by Gionata Bonvicini,MARCO, Vigo, Spain

Life Forms, Bonniers Konsthall, Stockholm, Sweden

Second Hand, Engholm Engelhorn Galerie, Vienna, Austria

Short Circuits, Peter Blum, New York, USA

 

2008

In living contact, 28a Bienal de São Paulo, curated by Ivo Mesquita, Bienal Pavilion, São Paulo, Brazil

Italics. Arte italiana fra tradizione e rivoluzione, 1968-2008, curated by Franceso Bonami, Palazzo Grassi, Venice, Italy

Partoftheprocess3, ZERO…, Milan, Italy

When a clock is seen from the side it no longer shows the time,Johann König, Berlin, Germany

After Nature, curated by Massimiliano Gioni, New Museum, New York, USA

Revolution – forms that turn. 16th Biennale of Sydney, curated by Carolyn Christov-Bakargiev, Power House - Cockatoo Island, Sydney, Australia

... 5 minutes later, curated by Susanne Pfeffer, KW Institute for Contemporary Art, Berlin, Germany

 

2007

La parola nell'arte. Ricerche d'avanguardia nel '900. Dal Futurismo ad oggi attraverso le Collezioni del Mart, Mart, Rovereto, Italy

Schmerz,curated by Eugen Blume, Hamburger Bahnohf, Berlin, Germany

Oú? Scenes du Sud: Espagne, Italie, Protugal, curated byFrançoise Cohen, Carré d’Art Musée d’Art Contemporain de Nimes, Nimes, France

Silence. Listen to the Show, curated by Francesco Bonami, Fondazione Sandretto Re Rebaudengo, Turin, Italy

Luce di pietra, Palazzo Farnese, Rome, Italy

 

2006

My Private escaped from Italy, curated by Barbara Casavecchia and Anna Daneri, Centre International d’art et du paysage, l’île de Vassivière, Vassivière, France

Inaugural Exhibition, Johann König, Berlin, Germany

Of mice and men-4th Berlin Biennale, curated by Maurizio Cattelan, Massimiliano Gioni and Ali Subotnick, Former Jewish School for Girls, Berlin, Germany

 

2005

T-1 La sindrome di Pantagruel, curated by Carolyn Christoph-Bagargiev and Francesco Bonami, Turin, Italy

Sempre un po’ più lontano, curated by Rosa Martinez, Biennale di Venezia-51° Esposizione Internazionale di Venezia, Venice, Italy

Bidibibobidiboo, curated by Francesco Bonami, Fondazione Sandretto Re Rebaudengo, Turin, Italy

Work Time/Life Time/Material Time, curated by Jessica Morgan, Reykjavik Art Festival, Vestmannaeyjar, Iceland

Radio Days, CTP of The Appel Foundation, Amsterdam, Netherlands

Non Toccare la Donna Bianca, curated by Francesco Bonami, Castel dell’Ovo, Naples, Italy

Dialectics of hope-1°, Moscow Biennale of Contemporary Art, curated by Joseph Backstein, Daniel Birnbaum, Nicolas Bourriaud, Iara Boubnova, Hans Ulrich Obrist and Rosa Martinez, Former Lenin Museum, Moscow, Russia

 

2004

Rendez-Vous, La Jeune Creation Contemporaine, curated by Hauviette Bethemont, Isabelle Bortolotti, Yves Robert and Dirk Snauwaert, Museé d’art Contemporain, Lyon, France

Non Toccare la Donna Bianca, curated by Francesco Bonami, Fondazione Sandretto Re Rebaudengo, Turin, Italy

With all due Intent...Manifesta 5, curated by Massimiliano Gioni and Marta Kuzma, Donostia, San Sebastián, Spain

Great Expectations!, curated by Charlotte Laubard, Chiara Parisi, Alessandro Rabottini, Marcello Smarrelli, Fuori Uso, Pescara, Italy

Micol Assaël, Nico Dockx, Rikrit Tiravanja, Museum in Progress,curated by Chris Dercon and Hans Ulrich Obrist / San Gimignano, Siena, Italy

 

2003

Sogni e Conflitti: La Dittatura dello Spettatore,curated by Francesco Bonami, Biennale di Venezia-50° Esposizione Internazionale d’Arte, Sezione: La Zona, curated by Massimiliano Gioni, Venice, Italy

Sub-Real-Reality Survival Strategies, curated by Bartolomeo Pietromarchi, Smart Project Space, Amsterdam, Netherlands

Fatamorgana,ZERO..., Piacenza, Italy

Exit, curated by Francesco Bonami, Fondazione Sandretto Re Rebaudengo, Turin, Italy

Fullcontact, curated by Sergio Risaliti, Salvatore Lacagnina and Caroline Corbetta, Galleria Civica di Arte Contemporanea, Siracusa, Italy

Prototipi 0.1, curated by Stefano Chiodi and Bartolomeo Pietromarchi, Fondazione A.Olivetti, Rome, Italy

 

2000

Affinites Electives 2, Galerie du Jour-Agnes B., Paris, France

Offered Spaces-Spazi Offerti, curated by Simonetta Lux e Chiara Parisi, San Casciano Dei Bagni, Siena, Italy

 

1999

Palazzo Rialto, Rome, Italy

Selected Bibliography

 

 

2011

“Defining Contemporary Art – 25 years in 200 pivotal artworks”, texts by Daniel Birnbaum, Connie Butler, Suzanne Cotter, Bice Curiger, Okwui Enwezor, Massimiliano Gioni, Bob Nickas, Han Ulrich Obrist. Phaidon, London. 398-399.

 

2010

Francesco Bonami, “21X21. 21 Artisti per il 21° secolo”, exh. cat., Fondazione Sandretto Re Rebaudengo, Torino.

Rein Wolf, Olesya Turkina, Massimiliano Gioni, “Fomuska”, exh. cat., Museion, Bolzano.

Adrienne Drake, Mutiny Seemed a Probability, Fondazione Giuliani per l’arte contemporanea, Roma.

 

2009

“Vitamin 3-D, New Perspectives in Sculpture and Installation”, Phaidon Press Limited

Anne Deleuze, “Gakona”, Art Monthly, May 1st.

Telearma Sortir “Une bonne décharge pu0blique”, C.L., Telearma Sortir, April 22nd/28th.

Julie Portier, “Expérience aux frontières du réel”, Le Journal Des Arts, April 3rd/16th.

Philippe Cornet, “Gakona”, Focus Vif, April 10th.

Sisi Yang, “[…]”, U life magazine, April.

“Exposition”, Beaux Arts Magazine, April.

Bénédicte Ramade, “Voyage à Gakona”, L’Oeil, April.

“Palais de Tokyo, Micol Assaël”, Art & You.fr, April.

Ornella Lamberti, “Gakona ou les particules impopulaires”, Planet Campus.com, April.

“Le visibile et l’invisible”, Mouvement, April/June.

Alexis Jakubowicz, “Qui connaît Gakona”, Liberation, March 31.

Claude Laurent, “Voir et ressentir les énergies”, La Libre Belgique, March 30th.

“L’exposition Gakona au Palais de Tokyo”, Paperblog.fr, March 17th.

Judicaël Lavrador “Gakona”, Les Inrockuptibles, March 10th/16th.

Charles Barachon, “Micol Assaël hérisse le poils”, Technikart, March.

Isabelle Soubagné, “Gakona”, Paris-Art.fr, March.

”, Rhama Khazam, “Gakona”Artforum.com, March.

“Ligne haute tension”, Buy Buy.com, March.

Laurent Wolf, “De l’électricité dans l’air au Palais de Tokyo”, Le Temps, February 20th.

Michel Verlinden, “High voltage”, Focus Vif, February 20th.

Sophie Rosemont “Hautes fréquences au Palais de Tokyo”, Artnet, February 18th

Anaël Pigeat, “Un villane d’Alaska au Palais de Tokyo”, Femmes.com, February 18th,

Sophie Bain, “Bienvenue à gakona” Le Most.fr, February 16th.

Géraldine Dormoy, “Bienvenue à gakona”, Cafe Mode, February 13th.

Karine Porret, “Les mistères de Gakona”, Stiletto.fr, February 5th.

“Weird science”, Wonderland, February 1st.

“A la base de la création”, Le Parisien(Supplément), February.

Daniele Perra, “Ad alta tensione”, Kult, February.

Simon Castets, “Gakona”, February.

Cloe Piccoli “Tre ingegneri creativi”, D La Repubblica delle donne, April 30th.

Regine, “GAKONA at the Palais de Tokyo in Paris”, www.we-make-money-not-art.com, April 27th.

“ART-Gakona, The Parisian, april 27th.

“Pawel Althamer and children from Kassel FRÜHLING - Micol Assaël FOMUŠKA”, E-Flux, April 15th.

“Pawel Althamer e Micol Assaël a Kassel”, Il segno, April.

Tracy Frost, “Micol Assaël at Kunsthalle Fridericianum, Kassel, Germany, until 21 June”, Art2bank, April

Massimiliano Gioni, “Arte: L'immaginario elettrico di Micol”, Wired, April.

“Le artiste di Italics: un percorso nella creatività femminile. Palazzo Grassi per la Festa della donna”, VDV Mobile Blog, March 8th.

 

2008

Massimiliano Gioni, “After Nature”, exh. cat., New Museum.

“2008 Biennale of Sidney Catalogue: Revolutions – Forms That Turn”, Biennale of Sydney in association with Thames & Hudson.

“... 5 minutes later exh. cat., KW Institute for Contemporary Art, Berlin.

Lilly Wei, “After Nature”, Art News, October.

Federica Bueti, “Micol Assaël. Edicola Notte, Roma”, Flash Art, August-September.

Ken Johnson, “Sometimes the Darkest Visions Boast the Blackest Humor”, The New York Times, July 19th.

Francesco Stocchi, “Clean Distortions”, Spike, n. 15.

 Massimiliano Gioni, “Micol Assaël”, Art Review, March.

Susanna Legrenzi, “Ci vediamo nel 2038”, IO Donna, January 19th.


2007

Melania Cazzotti, Julia Trolp Mart, “La parola nell’arte”, Rovereto.

“Luce di pietra”, Palazzo Farnese, Rome.

“Silenzio. Una mostra da ascoltare”, curated by F. Bonami, Fondazione Sandretto Re Rebaudengo, Turin.

Ester Coen and Adam Szymczyk “Micol Assaël”, exh. cat., Chizhevsky Lessons, Basel Kunsthalle, Electa, Milan, 2007.

“Schmerz”, exh. cat., Nationalgalerie im Hamburger Bahnhof-Museum für Gegenwart, Berlin, DuMont Literatur und Kunst Verlag GmbH & Co. KG, Köln.

Barbara Buchmaier, “Micol Assaël”, Artforum, november 13th.

Adam Szymczyk, “Micol Assaël. Aspettando l’ignoto”, Flash Art, October-November.

Polly Staple “Risk Assessment”, Frieze, October.

“The Wrong Times”, interview.

Massimiliano Gioni, “Micol Assaël”, Flash Art, August-September.

“Scosse elettriche a Basilea”, Flash Art, June-July.

Etienne Bernard “Invité mystère sur l’ile de Vassivière”, Beauxarts, January.

Paola Manfrin, “Micol Assaël at Kunsthalle Basel”, L’uomo Vogue, May-June.

 Cloe Piccoli, “Tre ingegneri creativi”, D La Repubblica delle donne, April 7th.

Lauretta Colonnelli, “Giochi di luce sulle pietre antiche”, Corriere della sera, march 28th.

Paolo Vagheggi, “Capolavori Europei per i trattati di Roma”, La Repubblica, March 23th.

Rossella Sleiter, “Il giovin signore dell’arte dà speranza all’arte giovane”, Il venerdì- La Repubblica, March 16th.

Adriana Polveroni, “Identità in movimento”, D La Repubblica delle donne, March 10th.

Chris Sharp, “My Private Escaped”, Flash Art, February-March.

Roberta Tentoni, “Introducing Micol Assaël”, Mousse Magazine, January.

Mariuccia Casadio, “Digital New year”, Vogue Italia, January.

 

2006

“Of mice and men-4th Berlin Biennale”, exh. cat., Berlin.

Massimiliano Gioni, “Milan”, Artforum, December.

Elisa Del Prete, “My Private escaped from Italy”, Arte e critica,December 2006-February 2007

“Micol Assaël & Thomas Bayrle: Machines”, The Wrong Times, October.

“Wolganmisool”, n. 257, June.

“Uomini e topi a Berlino”, Exibart,onpaper, May-June.

“Von Menschen und Mausen”, Kunstforum, May-June.

Carla Bianpoen , “The Berlin Biennale, an antidote to the usual”, The Jakarta Post, May.

“Von Mausen und Menschen”, Kunst21, May.

Pietro Marino, “Biennale Contemporanea”, La gazzetta del Mezzogiorno, April.

Cesare Cunaccia, “Berlino, per gli italiani un tifo da stadio”, Libero, April.

Arianna Di Genova, “Vietato non esserci!”, Marie Claire (Italy), April.

Nicole Büsing, Heiko Klaas, “Stimmungsgeladene Inszenierungen”, Bremer, March.

Claudia, Wahjudi, “Eine irgendwie sehr gefuhlte schau”, Zitty, March.

Ursula Badrutt Schoch, “Raum fur Unbehagen”, Der Bund, March.

Ursula Badrutt Schoch , “Raum fur Unbehagen”, ST. Galler Tagblatt, March.

Nicole Büsing and Heiko Klaas , “Von Mausen, Menschen un bosen Machten”, Nurnberger Nachrichten, March.

Valentina Agostinis, “Biennale di Berlino-dov’è lo scandalo?”, Anna, March.

Paolo Vagheggi, “Tre moschettieri per Berlino”, La Repubblica, March.

Elena Basteri, “L’estro di Cattelan alla Biennale di Berlino”, Liberazione, March.

Paolo Vagheggi, “Maurizio Cattelan:’così scandalizzerò Berlino”, La Repubblica.

Caroline Corbetta, “Of Mice and Men”, Uomo Vogue, March.

“Quarta Berlin Biennale. Cattelan-Subotnick-Gioni portano l’arte in chiesa a scuola e al cimitero”, Exibart.OnPaper, March.

“Berlino-Uomini e topi”, Flash Art Italia, February-March.

 

2005

”Waiting for the Unknown”, “Fryttir”, Vestmannaeyjar – Iceland, 12 pages

Francesco Bonam, Cesare Cunaccia, Ilaria Bonacossa, “Bidibidobidiboo, Works from Collezione Sandretto Re Rebaudengo”, Skira, Milano.

Jessica Morgan, Björn Roth, “Material Time/Work Time/Life Time”, Jens Hoffmann. Revolver, Frankfurt am Main

Jessica Morgan, “Sempre un pò più lontano”, 51esima Esposizione internazionale d'arte Biennale di Venzia, cat. curated by Maria de Corral e Rosa Martinez, Marsilio ed., Venezia.

ARTCHRONIKA, “Dialectics of hope – 1 st  Moscow Biennale of Contemporary Art 2005”, Moscow.

“Europe as a Cultural Project”, European Cultural Foundation, Amsterdam

Daniela Cascella, “Scultori di suono”, Tuttle Edizioni, April.

Daniela Cascella, “Blind Sound”, Sound Art/Resonance Supplement, June.

Paolo Vagheggi,“Biennale di Venezia - Le donne e l' amore del nuovo millennio”, Repubblica,  june 2005                                                                                                            

Ilaria Bombelli, “Micol Assaël-Alta tensione”, Flash Art Italia, October-November.

“Future greats”, Art Review, December.

Claire Bishop, “Fairer Fare”, Artforum, June 15th.

Natalia Aspesi, “Biennale, sceglietevi la musica per il vostro funerale”, La Repubblica, June 9th

Anna Detheridge, “Pappagalli in Biennale”, Il Sole 24 Ore, June 5th.

“Arsenale di star / attenti a questi cinque”, Gulliver, June.

Nicola Davide Angerame, “La Biennale Gemellare”, Exibartonpaper, June

“Bidibidobidiboo, 200 opere della collezione Sandretto Re Rebaudengo”, supplement of Arte, June.

Maurizio Sciaccaluga, “Biennale di Venezia – Italiani, chi sale e chi scende”, Arte, June

Edward Weinman, “Feast for the Senses”, Atlantica, May/June

Mark Sladen, “Iceland Hopping”, Artforum, May 19th.

Cloe Piccoli, “Biennale 51 – Come in un vulcano”, La Repubblica delle donne, May 21th.

Ekaterina Degot, “City report: Moscow" , Dan Fox and Jennifer Higgie, Frieze, issue 90, April

“Russian Front: The Moscow Biennale”, by John Kelsey, Artforum, April.

“Così le artiste infrangono le regole”, by Valentina Bruschi, Il messaggero, March 21th.

“Una Biennale quasi senza italiani”, by Paolo Vagheggi, La Repubblica, March 8th.

 

2004

“Files”, MUSAC. Museo de arte contemporáneo de Castilla y León. pag.12.

Francesco Bonami, “non toccare la donna bianca/don’t touch the wite woman”, exh. cat., Hopefulmonster editore, Torino.

Massimiliano Gioni, “this wild darkness”, WITH ALL DUE INTENT – MANIFESTA 5, exh. cat., Actar, Barcellona.

Francesco Bonami, “Nella vigna del disegno + interview with Ilaria Bonacossa”, D-segni, exh. cat., Fondazione Sandretto Re Rebaudengo, Torino.

Filippo Romeo, “Non Toccare La Donna Bianca”, ArtforumNovember 11th.

Gabi Scardi, “Infrazioni al femminile dell’ordine prestabilito”, jun0, October 17th.

Ludovico Pratesi, “Tremate, tremate, le artiste son tornate”, Il venerdì di Repubblica, September

Anne Colin, “Manifesta 5”, Artpressn.304 September.

Flavia Matitti, “E io ricomincio da me”, L’unità, August 28th.

Tim Sommer, “BALKAN AM ATLANTIK”, Art-Das Kunstmagazine, August 8th

Studio-Israeli art magazine, july-august.

Thomas Wullfen, “Manifesta 5”, Kunstforum International, July-August

Ursula Badrutt Schoch, “Manifesta 5 Unmögliche wahrheit”, Der Bund, July 30th.

Ismael Manterola Ispizua, “Pasaia versus Donostia”, Berria, July 13th.

Laura Revuelta, “Manifesta 5, la Biennale Europea approda in Spagna”, Mood, June 24th.

“El manifesto de la Manifesta 5”, Blanco y negro cultural, June 19th.

Angela Molina, “Manifesta 5: una bienal sin ADN”, Babelia El Pais, June 19th.

Gregor Jansen, “Architectur der Grenze”, Die Tage, July 14th.

Jelka Sutej Adamič, “San Sebastian – Manifesta 5”, Nič več radikalnosti Delo, June 14th.

“Biennale nomade d’Europa”, D-REPUBBLICA, June 12th.

Teresa Flano, “San Sebastian se empapa de arte”, Cultura & Ocio, June 11th..

“Arte garaikidearen unibertso zabalean murgiltzeko deia”, by Juan Luis Zabala, Harian, June 11th

M. Marin, “Comienza en San Sebastian Manifesta 5, una radiografia de la vanguardia artistica”, EL PAIS, June 11th.

Dani Blanco, “Donostia eta Pasaia arteak inbadituta”, Argia, June.

“Micol Assael – Bonomo”, by Antonella Marino, Flash Art Italia, n° 245 April-May.

Andrea Villani, “Micol Assaël”, Boiler #4, March.

Maria Rosa Sossai, “Great Expectations”, Flash Art Italia, February-March.

“Gli “interventi” di Micol”, by L.P., La Stampa, February 13th.

Pietro Marino, “Micol, la piccola macchinista dell’arte”, La gazzetta del mezzogiorno, February 12.

Marilena Di Tursi, “Se l’opera d’arte è una cella frigorifera”, Corriere del mezzogiorno, February 12.

Antonella Marino, “Fumo e ghiaccio, l’arte estrema di Assaël”, La Repubblica, February 8th.

“Carolyn Christov-Bakargiev on Micol Assaël”, First Take, Artforum, January Issue.
 

2003

”Je veux”, Onestar Press 2003, pag.179. Paris, January.

C. Laubard, C. Parisi, A. Rabottini, M. Smarrelli, “Great Expetations!”, Fuoriuso 2003, XIV .edizione. Pescara Ferrotel, Italy.

Massimiliano Gioni, La Zona, in: “SOGNI E CONFLITTI – LA DITTATURA DELLO SPETTATORE” Francesco Bonami and Maria Luisa

Frisa, 50esima. ESPOSIZIONE INTERNAZIONALE D’ARTE LA BIENNALE DI VENEZIA, Marsilio ed. Venezia

G.K. Batchelor, The Theory of Homogeneous Turbulence, indicated by Lukas Liechtenstein, in: La Folie de la Villa Médicis, cat. curated by

Chiara Parisi, Silvana Editoriale, Milano.

Chiara Bertola, “Fame”, Premio Querini Stampalia FURLA per l’arte, exh. cat., Postmedia Books, Milano, April

Francesco Bonami, “Occhio alla Biennale. Una scultura fatta di angoscia”, La Stampa, August 20th.

AA.VV., L’arte è il nervo scoperto della società? Conversazioni dalla biennale”, Perché/?, # 4.

Bartolomeo Pietromarchi, “L’Urgenza dello spazio. Sopravvivenza, immaginazione, disorientamento”, Flash Art, June/July

Gabi Scardi, “I giovanissimi sono più urbani”, Il Sole 24ore, June 15th.

Ester Coen, “Gli ultimi frammenti di una civiltà, quel che vedrebbe un extraterrestre”, La Repubblica, June 13th.

Larissa Harris, “Venice Biennale 2003, a marathon vernissage in venice”, Art Forum Diary, June 12th.

Bartolomeo Cosulich, “Biennale 2003 made in italy”, Gulliver, June.

Jennifer Allen, “Bonami on the Biennale, Artists in Uniform, and More Bonami expands on Biennale”, Artforum, March 31th.

Paolo Vagheggi, “Biennale di Venezia ai tempi di guerra”, La Repubblica, March 24th.

”Mental Location, SUB REAL- Reality Survival Strategies”, Smart, April 5 - May 11th.

Daniela Bigi, “Assael, Caretto, Courbot, Davila. Zero, Piacenza”, Arte Critica, January/March.
 

2002

Francesco Bonami, “EXIT Nuove geografie della creatività italiana”, exh. cat., Piccola biblioteca Oscar Mondadori, Milano.

Stefano Chiodi e Bartolomeo Pietromarchi, Prototipi. Laboratorio di cultura artistica contemporanea, Luca Sossella Editore.

Angela Vettese , “Italian Caravanserraglio”, Il Sole 24ore, September 22th.

Elisa Fulco, “SiracusaFullContact”, Flash Art Italian° 235.

Paola Nicita, “FullContact, Siracusa”, Galleria Civica Montevergini, Exibart, July 11th.

Marcello Smarrelli, “FullContact”, Tema Celeste, May/June.

Marcello Smarrelli, “Prototipi.01”, Tema Celeste, March/April.

Ludovico Pratesi, “Niente tele e pennelli ecco le opere 'prototipi’”, La Repubblica, February.

Ludovico Pratesi, “Arte & Tecnologia”, La Repubblica, February 3th.

Paola Magni, “In vetrina i "prototipi" delle nuove generazioni”, Il giornale, January 24th.

Edoardo Sassi, “Sconfinamenti d'arte”, Il corriere della sera, January 24th.
 

 

 

 


 

 

 

 


 

 

 

 

 

 

 


 


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