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Who Shot Mr. Burns?
2016
installation view
The Power Station, Dallas, USA

Who Shot Mr. Burns?
2016
installation view
The Power Station, Dallas, USA

Who Shot Mr. Burns?
2016
installation view
The Power Station, Dallas, USA

Who Shot Mr. Burns?
2016
installation view
The Power Station, Dallas, USA

Who Shot Mr. Burns?
2016
installation view
The Power Station, Dallas, USA

Who Shot Mr. Burns?
2016
installation view
The Power Station, Dallas, USA

Who Shot Mr. Burns?
2016
installation view
The Power Station, Dallas, USA

Who Shot Mr. Burns?
2016
installation view
The Power Station, Dallas, USA

Who Shot Mr. Burns?
2016
installation view
The Power Station, Dallas, USA

Who Shot Mr. Burns?
2016
installation view
The Power Station, Dallas, USA

Who Shot Mr. Burns?
2016
installation view
The Power Station, Dallas, USA

2014
installation view, "F.E.S.T.A", Kölnischer Kunstverein, Cologne, Germany

2014
installation view, "F.E.S.T.A", Kölnischer Kunstverein, Cologne, Germany

2014
installation view, "F.E.S.T.A", Kölnischer Kunstverein, Cologne, Germany

2014
installation view, "F.E.S.T.A", Kölnischer Kunstverein, Cologne, Germany

2013
installation view, "The Unborn Museum", MAGASIN, Grenoble, France

2013
installation view, "The Unborn Museum", MAGASIN, Grenoble, France

2013
installation view, "The Unborn Museum", MAGASIN, Grenoble, France

2013
installation view, "The Unborn Museum", MAGASIN, Grenoble, France

2013
installation view, "The Unborn Museum", MAGASIN, Grenoble, France

2013
installation view, "The Unborn Museum", MAGASIN, Grenoble, France

The Fourteen Stations (You Never Look at Me from the Place I See You
2010
14 moleskine notebooks, characoal, graphite and acrylic on paper
40 x 35 x 4,5 cm (each)

The Fourteen Stations (You Never Look at Me from the Place I See You)
2010
14 moleskine notebooks, characoal, graphite and acrylic on paper
40 x 35 x 4,5 cm (each), detail

Senza titolo
2010
ink and acrylic on paper
36,5 x 26 cm

2009
installation view, "Fare Mondi/Making Worlds", 53rd Venice Biennale

The Skeleton Key (His latest flame)
2009
oil on canvas, turntable, synthetic voice recorded on long play record
195 x 123 cm (oil on canvas)
installation view, "Fare Mondi/Making Worlds", 53rd Venice Biennale

Study for The Skeleton Key (Here is The Man Looking at the Glass)
2009
acrylic on paper on forex, glass
47 x 40 cm

Myrrhina
2008
environment: floor drawing, rice ball, neon, jewellery, pastel on paper on forex
environmental dimensions
installation view, "50 Moons of Saturn" ,T2 Turino Triennale, Torino

Myrrhina
2008
environment: floor drawing, rice ball, neon, jewellery, pastel on paper on forex
128,6 x 96,5 cm, detail

Z
2008
tableau vivant, offset print on paper, fried rice ball, oil on canvas, neon
80 x 80 x 50 cm (offset print on paper), 83 x 73 cm (oil on canvas), 33 x 185 cm (neon)
installation view, CCS Bard at Seventh Regiment Armory, New York

The Skeleton Key IV (part of the installation “The Silent Woman”, 2007)
2007
acrylic on paper on forex
39 x 50 cm

Clinamen II
2007
steel, hair, masking tape
700 cm, diameter 70 cm
installation view, "Truka", GAMeC, Bergamo

Jockey Full of Bourbon II
2006
neon, resin and haindpainted feathers, microphone pole, acrylic on paper on forex, mirror
290 x 680 x 580 cm, detail
nstallation view, "La Tempesta", Johnen + Schöttle, Köln

Senza titolo
2006
acrylic and Indian ink on paper
15 x 24 cm

The Skeleton Key
2006
soft pastel on paper on forex
48,5 x 58 cm

The oval portrait. A ventriloquist at a birthday party in October 1947
2005
pastel on paper on panel
91 x 150 cm
installation view, "Follow my shadow", Premio Furla per l’Arte, Villa delle Rose, Bologna

The oval portrait. A ventriloquist at a birthday party in October 1947
2005
polaroid
10 x 12 cm

Intelligent Artifice(r)
1999-2003
oil on canvas mounted on wood
82 x 66 cm

Senza titolo
2003
pastel on paper on forex
38 x 48 cm

Jockey Full of Bourbon
2003
soft pastel on paper on forex, microphone pole, resin, painted feathers
31 x 45,5 cm (soft pastel on paper on forex), dimensions variable
installation view, "Great Expectations!", Fuori Uso, Pescara

Messaggerie Musicali
2002
environment: wood, pastel on paper, laserprint mounted on plexiglas, digital animation
environmental dimensions
installation view, Ex Chiesa di San Francesco, Como

Giocondità
2002
digital animation
3’53’’

2009-1992
1992-2009
gelatine silver print
18 x 24 cm

PIETRO ROCCASALVA

 

born in Modica, 1970

lives and works in Milan

 

 

solo shows

 

2016

WHO SHOT MR. BURNS?, The Power Station, Dallas, USA
Il Signor Beneventano, David Kordansky Gallery, Los Angeles, USA

 

2015

The Wooden O, ZERO…, Milan, Italy

 

2014

The Queen of Gaps, Zeno X Gallery, Antwerp, Belgium

F.E.S.T.A., Kunstverein Köln, Köln, Germany

 

2013

The Unborn Museum, Le MAGASIN, Grenoble

 

2012

The Strange Young Neighbours, David Kordansky Gallery, Los Angeles

 

2010

Unicuique Suum Fussball, Johnen Galerie, Berlin, Germany

 

2008

Art Statements, Art 39 Basel, Switzerland

Z, CCS Bard at Seventh Regiment Armory, New York, USA

 

2007

Truka, GAMeC, Bergamo, Italy

Truka,art : concept, Paris, France

 

2006

Il Traviatore, Fondazione Querini Stampalia, Venice, Italy

My Private #4, Ex Tempio Metodista, Turin, Italy

De Morgen, Hoet Bekaert Gallery, Gent, Belgium

La Tempesta, Johnen + Schöttle, Köln, Germany

 

2005

ØZERO..., Milan, Italy

 

2004

O.H. Viafarini, Milan, Italy

 

2003

Fisheye, Vistamare, Pescara, Italy

 

 

 

group shows

 

2016

Quand fondra la neige où ira le blanc, curated by Eric Mezil and Lorenzo Paini, Palazzo Fortuny, Venice, Italy

Self-Portrait, Massimo de Carlo, London, England

Peter Halley & Pietro Roccasalva: The Awakening, Mottahedan Projects, Dubai, United Arab Emirates

 

2015

Ennesima, Triennale di Milano, Milan, Italy

Le Stanze d’Aragona, Villino Favaloro, Palermo, Italy

Pass. Kunst in dorpen, Mullem, Lede, Belgium

Collection for Tomorrow: new works at Museion, MUSEION, Bolanzo, Italy

Works on Paper II, Zeno X Gallery, Antwerpen, Belgium

The Violet Crab, David Roberts Art Foundation, London, England

 

2013

Several Species of Small Furry Animals Gathered Together in Cave and Grooving with a Pict, VW (VeneKlasen/Werner), Berlin

A House of Leaves. Second Movement, curated by Vincent Honoré, David Roberts Art Foundation, London, England

new works #1, SPROVIERI, London

 

2012
A House of Leaves. Second Movement, curated by Vincent Honoré, David Roberts Art Foundation, London, England

No. 17 Group Exhibition of Gallery Artists, Casey Kaplan, New York, USA

Four Rooms, Centre for Contemporary Art - Ujazdowski Castle, Warsaw, Poland

Embassy Goes Contemporary, Museion Collection, Italian Embassy, Berlin

Rotary Connection, Casey Kaplan, New York

 

2011

Calamitati da Gino, Centro d’Arte Contemporanea, C.A.C., Foligno

IL BELPAESE DELLARTE. Etiche ed Estetiche della Nazione, GAMEC, Bergamo, Italy

TABLEAUX, MAGASIN, Centre National d'Art Contemporain de Grenoble, France

EROI, GAM, Turin, Italy

 

2010

Scene Shifts, Bonniers Konsthall, Stockholm, Sweden

the hybrid fuels
suddenly this insight, Galerie der Stadt, Sindelfingen, Germany

SI - Sindrome Italiana, la jeune création artistique italienne, MAGASIN - Centre National d'Art Contemporain, Grenoble, France

More Pricks Than Kicks, David RobertsArt FoundationLondon, UK

Il Museo Privato, GAMeC, Bergamo, Italy

Antidote 6, La Galerie des Galerie, Paris, France

Bagna Cauda, art : conept, Paris, France

Ibrido. Genetica delle forme darte, PAC, Padiglione d’Arte contemporanea, Milan, Italy

 

 

2009

This place you see has no size at all...,Kadist Art Foundation, Paris, France

ITALICS. ARTE ITALIANA FRA TRADIZIONE E RIVOLUZIONE 1968-2008, Museum of Contemporary Art, Chicago, USA

Guardami. Il volto e lo sguardo nell'arte 1969-2009, Museo Cantonale d'Arte, Lugano, Switzerland

1989 2009. Overview, Celebration, Critique, Galleria Civica, Trento, Italy

Sniper, Margret Biedermann gallery, Munich, Germany

Fare Mondi / Making Worlds, 53 Esposizione Internazionale d'Arte, Biennale di Venezia, Venice, Italy

Reframing, CCA Andratx Kunsthalle, Mallorca, Spain

 

2008   

50 Lune di Saturno / 50 Moons of Saturn,T2 Torino Triennale, Turin, Italy

Samedi / Samedi, art : concept, Paris, France

Faces and Figures (Revisited), Marc Jancou Contemporary, New York, USA

ITALICS. ARTE ITALIANA FRA TRADIZIONE E RIVOLUZIONE 1968-2008, Palazzo Grazzi, Venice, Italy

Manifesta 7, Trentino - Südtirol/Alto Adige, Italy

Mediterraneo2008, Perna Foundation, Ravello, Italy

Kabul 3000 (Love among the cabbages),ZERO…, Milan, Italy

Zuordnungsprobleme, Johann König, Berlin, Germany

Selective Knowledge, MIET Cultural Center, Athens, Greece

In Geneva No One Can Hear You Scream, Blondeau Fine Art Services, Geneva, Switzerland

ITALIA ITALIE ITALIEN ITALY WLOSZKA, Ritti su la cima del mondo, noi scagliamo, una volta ancora, la nostra sfida alle stelle!...ARCOS, Benevento

 

2007

Solo24Ore,MUSEION-Museo d'Arte Moderna e Contemporanea, Bolzano, Italy

Senso Unico, PS1, New York, USA  

A gap in keeping silent: noise, Poetry Summer Watou, Poeziezomers, Belgium

Apocalittici e Integrati. Ventiquattro artisti italiani, MAXXI, Rome, Italy

Camera con vista, Palazzo Reale, Milan, Italy

Glocal and outsiders: connecting cultures in central Europe, PRAGUE Biennale 3, Prague, Czech Republic

 

2006

partoftheprocess2, ZERO…, Milan, Italy

PAINTING CODES: i codici della pittura, Galleria Comunale d’Arte Contemporanea, Monfalcone (GO), Italy

La Cittàdi Leonardo, Larte Contemporanea, Milano e Leonardo, Fondazione Stelline, Milan, Italy

 

2005

Follow my shadow, Premio Furla per l’Arte, Villa delle Rose, Bologna, Italy

Doppia Visione, Magazzino d’Arte moderna, Rome, Italy

Strata. Difference and repetition, Fondazione Davide Halevim, Milan, Italy

Changes of mind: Belief and Transformation, Haunch of Venison, London, UK

Generation of Art-10 anni alla FAR, Fondazione Antonio Ratti, Como, Italy

XVI Quadriennale di Roma, Galleria Nazionale d’Arte Moderna, Rome, Italy

 

2004

partoftheprocess, ZERO..., Milan, Italy

Paradiso Inferno, Fondazione Bevilacqua La Masa, Venice, Italy

 

2003

La Riproriduzione, (Reproreduction), Archivio di Stato, Turin, Italy

Tracce di un seminario, Viafarini, Milan, Italy

Opening, Beaulieau Art Gallery, Gent, Belgium

II Tirana Biennale, National Gallery of Arts and National Fair Centre, Tirana, Albania

Forse Italia, S.M.A.C.K., Gent, Belgium

Great Expectations!, Fuori Uso, Pescara, Italy

Uno Uno Prima, stage Europeo degli esordi, Lucca, Italy

 

2002

In Extremis, Advanced corse in Visual Arts (with Giulio Paolini), Fondazione A. Ratti, Como, Italy

La Riproriduzione, (Reproreduction), Istituto della calcografia Nazionale, Rome, Italy

 

 

awards

 

2005

Premio Furla per l'Arte

 

Selected Bibliography 

 

2013

Michele Robecchi, “Pietro Roccasalva”, Vitamin D2

Jean-Max Colard, "Oeuvres à système", Les Inrockup­tibles, June 26, pp.104-105

 

2012

Ludovico Pratesi, New Italian Art. L’arte contemporanea delle ultime generazioni
, Castelvecchi, Roma, pp. 208-211

Rischa Paterlini, “Il teatro della pittura”, Arte

Jan Tumlir, “Openings: Pietro Roccasalva”, Artforum, n° 10, Summer

Jean-Max Colard, ““L’invasion des Tableaux Vivants”, L’Officiel, n° 3, September-October-November

Jonathan Griffin, “Pietro Roccasalva: The Strange Young Neighbours”, Art Review, #58, April

“Pietro Roccasalva -The Strange Young Neighnours- at David kordansky Gallery, Los Angeles”, Moussemagazine.it, March 13

Sharon Mizota, “Art review: Pietro Roccasalva at David Kordansky Gallery”, Los Angeles Times, February 23

 

2011

Danilo Eccher (a cura di), EROI,, exh. cat. GAM,torino. Umberto Allemandi & C., Torino. Tavole 78-79-80 pp.264-265

Pietro Roccasalva, “Il Valore delle Idee”, Il Sole 24 Ore, March 5th

Scenes Shifts, Bonniers Konsthall editions & Sara Curman and Caroline Elgh, Livonia Print, Latvia

 

2010

Alessandro Rabottini, “Love like God”, Kaleidoscope, April 5th, pp. 70-72

Serena De Dominicis, “Sindrome Italiana? Italian Syndrome?”, Arte e Critica, n. 65, pp. 62-65

Laura Hoptman, Yilmaz Dziewior, Uta Grosenick, The Art of Tomorrow, Distanz Verlag, Berlin

Il Museo Privato, GAMeC Galleria d’Arte Moderna e Contemporanea, Bergamo

Ibrido. Genetica delle forme d’arte, exh. cat., PAC - Padiglione d’Arte Contemporanea, Milan, Silvana Editoriale, Cinisello Balsamo (MI)

Jonathan Griffin, “Through the Looking Glass”,Frieze, n. 129, February-March

Luca Cerizza, L’uccello e la piuma. La questione della leggerezza nell’arte italiana, Et al. Edizioni, Milano

 

2009

ITALICS. ARTE ITALIANA FRA TRADIZIONE E RIVOLUZIONE 1968-2008, exh. cat., Palazzo Grassi, Venice; Museum of Contemporary Art, Chicago, Electa, MIlan

Guardami. Il volto e lo sguardo nell'arte 1969-2009, exh. cat., Museo Cantonale d'Arte, Lugano, Switzerland, Silvana Editoriale, Cinisello Balsamo (MI)

Fare Mondi/Making Worlds, exh. cat., 53 Esposizione Internazionale d'Arte, Biennale di Venezia, Venice, Marsilio Editori, Venice

Anna Daneri, “Skeleton in the Closet”, Mousse Magazine, January-February

Alessandro Rabottini, “Pietro Roccasalva: Belief systems”, MAP, n.17

 

2008

Pietro Roccasalva, First Monographs, JRP|Ringier, Zurich

50 lune di Saturno / 50 Moons of Saturn, exh. cat., T2 Torino Triennale, Turin, Skira, Milan

Manifesta 7,Trentino - Südtirol/Alto Adige, Italy. Silvana Editoriale, Cinisello Balsamo (MI)

In Geneva No One Can Hear You Scream, Blondeau Fine Art Services, Geneva, JRP|Ringier, Zurich

ITALIA ITALIE ITALIEN ITALY WLOSZKA, Ritti su la cima del mondo, noi scagliamo, una volta ancora, la nostra sfida alle stelle!..., ARCOS, Benevento, Electa, Milan

Daniel Birnbaum, “Pietro Roccasalva”, Artforum, December, p.263

Karen Rosenberg, "Cheeky Hipsters in the Halls of Victorian Brigadiers", nytimes.com, February 22nd

Maurizio Cattelan (in conversation with Pietro Roccasalva), “BANG”, WORK, Spring

Cornelia Lauf, “Pietro Roccasalva at Galleria Civica d’Arte Contemporanea”, Art in America, February

Marcia E. Vetrocq, “The Italian Job”, Art in America, February

Ludovico Pratesi, “Identità&Visioni”, ARTKEY, January

 

2007

Apocalittici e Integrati. Ventiquattro artisti italiani,exh. cat.,MAXXI, Rome, Italy. Electa, Milan

Glocal and outsiders: connectiong cultures in central Europe, exh. cat.,PRAGUE Biennale 3, Prague, Czech Republic, Giancarlo Politi Editore, Milan

A gap in keeping silent: noise, exh. cat.,Poëziezomer 07, Watou

Camera con vista, exh. cat.,Palazzo Reale, Milan, Skira, Milan

Valentina Sansone, “Pietro Roccasalva. GAMeC”, Flash Art, n.265, August-September

Anna Daneri, “Pietro Roccasalva”, WORK, Autumn

Alberto Zanchetta, “Pietro Roccasalva”, Arte e Critica, March-May

Paola Manfrin, “Roccasalva at GAMeC, Bergamo,” L’Uomo Vogue, n. 381, May-June, p. 80

Marta Savaris, “Pietro Roccasalva,” Flash Art, n.262, February-March, p. 127

Andrea Lissoni, “Questione di fantasmi(ni)”, Rolling Sone, n.40, February, p. 165

Jan Hoet, “The Ark of Pietro Roccasalva,” Janus, n. 21, January, pp. 46-53

Gyonata Bonvicini, “Global Art. Pietro Roccasalva”, Flash Art International, n.252, January-February, p. 113

 

2006

My Private#4 – Pietro Roccasalva, exhibition’s catalogue,

La città di Leonardo, L’arte Contemporanea, Milano e Leonardo, exh. cat., Fondazione Stelline, Milan, Silvana Editoriale, Cinisello Balsamo (Mi)

Painting codes. I codici della pittura, exh. cat., Galleria Comunale d’Arte Contemporanea, Monfalcone

Massimiliano Gioni, “On the ground – Milan”, Artforum, n. 4, December, pp. 259-261

Barbara Casavecchia, “Pietro Roccasalva. Opera e fuori-opera”, Flash Art, n. 261, December –January, pp. 98-101

“Pietro Roccasalva”, curated by My Private, Mousse Magazine, n. 4, Novembre, p.73

“A My Private n°4: Pietro Roccasalva”, Flash Art, n. 260, October-November, p.66

Francesco Poli, “Roccasalva in privato. A Torino”, Arte, n. 399, November, p. 202

Alessandro Rabottini, “Pietro Roccasalva”, Tema Celeste, n. 118, November-December, p. 114

Bettina Della Casa, ”Pietro Roccasalva”, Temporale, n. 62-63, Eizioni Studio Dabbeni,pp. 34-39

 

2005

Changes of mind: transformation and belief, exh. cat., Haunch of Venison, London

Follow your shadow-Premio Furla per l’arte/Young Italian Artist,exh. cat., Galleria d’Arte Moderna, Bologna, Fondazione Querini Stampalia, Venice. ED CHARTA, Milan, pp. 72-73

Generation of Art-10 anni alla FAR, exh. cat., Fondazione Ratti Como, ED CHARTA, Milan

XVI Quadriennale di Roma, exh. cat.,Galleria Nazionale d’Arte Moderna, Rome, Electa, Milan

Marco Tagliaferro, “Pietro Roccasalva si mette in scena”, La Repubblica, May 21st

Elisa Del Prete, “Premio Furla 2005 a Pietro Roccasalva”, Arte e Critica, n. 42, April-June, p.62

Daniela Lotta, “Premio Furla per l’arte”, Flash Art, n. 251, April-May, p.142

 

2004

Paradiso-Inferno, exh. cat.,Fondazione Bevilacqua La Masa, Venice, Italy, Lubrina Editore, Bergamo

Alessandro Rabottini, “Ouverture-Pietro Roccasalva”, Flash Art, n. 247, August-September, p. 116

Valentina Costa, “Pietro Roccasalva”, Arte e Critica, n.39

 

2003

Charlotte Laubard, Dissoi Logoi,Forse Italia, exh. cat., S.M.A.K., Stedelijk Museum voor Actuele Kunst, Gent, pp. 54-56

Great Expectations,exh. cat., Fuori Uso, Pescara

In Extremis, exh. cat.,Advanced Course in Visual Arts (with Giulio Paolini), Fondazione Ratti, Como, ED.CHARTA, Milan

II Tirana Biennale, exh. cat.,National Gallery of Arts and National Fair Centre, Tirana

 

2002

Alessandro Rabottini, “Pietro Roccasalva”, La Riproriduzione, exh. cat., Istituto Nazionale per la Grafica e la Calcografia, Rome; Archivio di Stato, Turin, Italy. Silvana Editoriale, Cinisello Balsamo (Mi), pp. 88-90


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